The Journal of the Wooden O is a peer-reviewed academic publication focusing on all things Shakespeare. It is published annually by Southern Utah University Press in cooperation with the SUU Center for Shakespeare Studies and the Utah Shakespeare Festival.

Published: 2018-08-01

Full Issue

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Articles

Richard’s Body Politic: Disability and Ability in Shakespeare’s Histories

Sarah Bischoff

1-17

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The Consistency of the Context: Texts and Contexts of the Merry Wives of Windsor

James H. Forse

18-29

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The Problematic Gaze in The Merchant of Venice

David W.

30-50

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“Patens of bright gold” in “this muddy vesture of decay”: Jessica’s Name as Shakespeare’s Paradoxical Engagement with the Other in The Merchant of Venice

Chikako D. Kumamoto

51-65

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The Counterfeit Trap in Shakespeare’s Comedies: Twelfth Night, The Taming of the Shrew, and Much Ado About Nothing

Jane Wells

66-93

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ACTING SHAKESPEARE: A Roundtable Discussion with Artists from the Utah Shakespeare Festival’s 2018 Production of The Merchant of Venice

Kate McPherson

94-117

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A Stranger to His State: Prospero’s Isolation through Art

Sarah J. L. Chambers

118-125

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